9.3.20 Tutorial with Andrea
1. Be determined. Don't listen to the voices in your head? My resolution, my ideas.
2. Metal: Can I make it to my satisfaction? No rivets? Streamline the metal work. It has something, but not 'it'. Try steel, more edgy, maybe? Surface. Shiny/not shiny? Fit vision and contextual framework.
Diane Simpson, in her 80s, now getting famous. Attention to detail form, she works through her references. Fascinating examples of materiality. Streamlined. Look at her website. Show at Nottingham Contemporary atm.
3. Tonic cans: deconstructed. End, bashed. El Anatsui. Rivet, staple as stitch? Experiment. Try actions and processes. Enamel or spray paint? Heat? Heat and alchemy ...change in control, the unexpected
4. Concrete and knitting: How do they sit together? Issues with sustainability...and stuff. Recycling and sustaining materials. Concrete has meaning, it surrounds us, it signifies the world around us.
5. Breasts: Where are they going?
6. 'For art's sake':
2. Metal: Can I make it to my satisfaction? No rivets? Streamline the metal work. It has something, but not 'it'. Try steel, more edgy, maybe? Surface. Shiny/not shiny? Fit vision and contextual framework.
Diane Simpson, in her 80s, now getting famous. Attention to detail form, she works through her references. Fascinating examples of materiality. Streamlined. Look at her website. Show at Nottingham Contemporary atm.
3. Tonic cans: deconstructed. End, bashed. El Anatsui. Rivet, staple as stitch? Experiment. Try actions and processes. Enamel or spray paint? Heat? Heat and alchemy ...change in control, the unexpected
4. Concrete and knitting: How do they sit together? Issues with sustainability...and stuff. Recycling and sustaining materials. Concrete has meaning, it surrounds us, it signifies the world around us.
5. Breasts: Where are they going?
6. 'For art's sake':