LOU BAKER MA FINE ART RESEARCH 2019 - 2021
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AR7007
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Material and process
See also
Knitting: critical theory and reflections
and
Stitch: critical theory and reflections
AR7007
8.8.21 Immersive art
7.8 21 Penelope Curtis' Ensembles
6.8.21 Sculpture, ensembles, environments and assemblages
10.5.21 Material led
3.3.21 Possible materials for
Social Knitwork
16.2.21 Knitted monofilament and performance
15.2.21 Knitting with monofilament
10.2.21 Labels for an outdoor installation
21.1.21 Suppliers of natural fibres
20.1.21 Dissolvable thread
20.1.21 Natural fibres and decomposition
20.1.21 Why use natural fibres?
MF7004
1.1.21 Body bags?
11.12.20 Narrative or antinarrative?
2.12.20 Working with concrete
29.11.20 Change in control
26.11.20. Waxing steel
22.11.20 Stuffing in action
21.11.20 Combining steel and textiles
16.11.20. Bending 6 mill steel rod
10.11.20. Bending 10 mill steel rod
5.11.20 Experimenting with rust
4.11.20 Dyeing with rust
4.11.20 To rust or not to rust?
3.11.20 Cutting steel by hand and hammering
2.11.20 Spot welding
27.10.20 Using a metal guillotine
MF7003
8.9.20 Materials and meaning
7.9.20 Shoes or cast feet?
28.8.20 Why cast feet?
19.8.20 Sloppy craft and metal work
3.7.20 Synaesthesia: feeling with your eyes
About
AR7007
MF7004
MF7003
MF7002
MF7001
Contact