Nathaniel Stern
'When we move and think and feel we are, of course, a body. This body is constantly changing, in and through its ongoing relationships. This body is a dynamic form, full of potential. It is not 'a body', as thing, but embodiment as incipient activity. Embodiment is a continuously emergent and active relation. It is our materialization and articulation, both as they occur, and about to occur. Embodiment is moving-thinking-feeling, it is the body's potential to vary, it is the body's relations to the outside. And embodiment, I contend, is what is staged in the best interactive art.' (Stern, 2013, p2)
'Central to my work are the feedback loops between sensation, experience, movement, and understanding. What do we sense, and how does that make sense? Where do we move, and when are we moved? What do we value, and how does that change our values? Materiality and embodiment, affect and perception, transformation and time. I want to foster greater dialogue around these complex and relational ecologies.' (Stern, no date)
Stern, N. (2013) Interactive art and embodiment: the implicit body as performance Canterbury: Gylphi Ltd
Stern, N. (no date) Artist statement Available at: https://nathanielstern.com/artist-statement/ (Accessed: 17 November 2020)
'Central to my work are the feedback loops between sensation, experience, movement, and understanding. What do we sense, and how does that make sense? Where do we move, and when are we moved? What do we value, and how does that change our values? Materiality and embodiment, affect and perception, transformation and time. I want to foster greater dialogue around these complex and relational ecologies.' (Stern, no date)
Stern, N. (2013) Interactive art and embodiment: the implicit body as performance Canterbury: Gylphi Ltd
Stern, N. (no date) Artist statement Available at: https://nathanielstern.com/artist-statement/ (Accessed: 17 November 2020)